↑
46 seconds excerpt of the video S*X Workers
For access to the full length video, please get in touch

↑
46 seconds excerpt of the video S*X Workers
For access to the full length video, please get in touch

↑
46 seconds excerpt of the video S*X Workers
For access to the full length video, please get in touch

↑
46 seconds excerpt of the video S*X Workers
For access to the full length video, please get in touch

↑
46 seconds excerpt of the video S*X Workers
For access to the full length video, please get in touch

S*X Workers is an animated documentary that collages perspectives from a range of sex workers on topics including sexuality and consent, the whorearchy, ethics, and labour under capitalism.

I wanted to make a film about sex workers rather than sex work. That distinction feels crucial because debates so often reduce people to symbols. The inspiration came from a heated argument among friends that split into the usual binary of exploitation versus empowerment. Instead of adding another opinion, I chose to step back and listen to sex workers themselves, letting complexity replace slogans and honouring the messy realities of work, desire, and power.

Visually, I worked with AI-generated, ever-morphing facial features, leaving gender unspecified in the prompts. This abstraction masks identity, resists voyeurism, and underscores how representation remains unstable when mediated by technologies trained on images scraped from the web, usually without context or consent.

My intention was to create a space for multiple experiences, presented as vignettes rather than a single arc. The film asks what it means to look responsibly, when bodies are politicised and the image keeps shifting under our gaze.

S*X Workers is an animated documentary that collages perspectives from a range of sex workers on topics including sexuality and consent, the whorearchy, ethics, and labor under capitalism.

I wanted to make a film about sex workers rather than sex work. That distinction feels crucial because debates so often reduce people to symbols. The inspiration came from a heated argument among friends that split into the usual binary of exploitation versus empowerment. Instead of adding another opinion, I chose to step back and listen to sex workers themselves, letting complexity replace slogans and honouring the messy realities of work, desire, and power.

Visually, I worked with AI-generated, ever-morphing facial features, leaving gender unspecified in the prompts. This abstraction masks identity, resists voyeurism, and underscores how representation remains unstable when mediated by technologies trained on images scraped from the web, usually without context or consent.

My intention was to create a space for multiple experiences, presented as vignettes rather than a single arc. The film asks what it means to look responsibly, when bodies are politicised and the image keeps shifting under our gaze.

S*X Workers is an animated documentary that collages perspectives from a range of sex workers on topics including sexuality and consent, the whorearchy, ethics, and labor under capitalism.

I wanted to make a film about sex workers rather than sex work. That distinction feels crucial because debates so often reduce people to symbols. The inspiration came from a heated argument among friends that split into the usual binary of exploitation versus empowerment. Instead of adding another opinion, I chose to step back and listen to sex workers themselves, letting complexity replace slogans and honouring the messy realities of work, desire, and power.

Visually, I worked with AI-generated, ever-morphing facial features, leaving gender unspecified in the prompts. This abstraction masks identity, resists voyeurism, and underscores how representation remains unstable when mediated by technologies trained on images scraped from the web, usually without context or consent.

My intention was to create a space for multiple experiences, presented as vignettes rather than a single arc. The film asks what it means to look responsibly, when bodies are politicised and the image keeps shifting under our gaze.

S*X Workers is an animated documentary that collages perspectives from a range of sex workers on topics including sexuality and consent, the whorearchy, ethics, and labor under capitalism.

I wanted to make a film about sex workers rather than sex work. That distinction feels crucial because debates so often reduce people to symbols. The inspiration came from a heated argument among friends that split into the usual binary of exploitation versus empowerment. Instead of adding another opinion, I chose to step back and listen to sex workers themselves, letting complexity replace slogans and honouring the messy realities of work, desire, and power.

Visually, I worked with AI-generated, ever-morphing facial features, leaving gender unspecified in the prompts. This abstraction masks identity, resists voyeurism, and underscores how representation remains unstable when mediated by technologies trained on images scraped from the web, usually without context or consent.

My intention was to create a space for multiple experiences, presented as vignettes rather than a single arc. The film asks what it means to look responsibly, when bodies are politicised and the image keeps shifting under our gaze.

S*X Workers is an animated documentary that collages perspectives from a range of sex workers on topics including sexuality and consent, the whorearchy, ethics, and labor under capitalism.

I wanted to make a film about sex workers rather than sex work. That distinction feels crucial because debates so often reduce people to symbols. The inspiration came from a heated argument among friends that split into the usual binary of exploitation versus empowerment. Instead of adding another opinion, I chose to step back and listen to sex workers themselves, letting complexity replace slogans and honouring the messy realities of work, desire, and power.

Visually, I worked with AI-generated, ever-morphing facial features, leaving gender unspecified in the prompts. This abstraction masks identity, resists voyeurism, and underscores how representation remains unstable when mediated by technologies trained on images scraped from the web, usually without context or consent.

My intention was to create a space for multiple experiences, presented as vignettes rather than a single arc. The film asks what it means to look responsibly, when bodies are politicised and the image keeps shifting under our gaze.